Saturation Triptych Version 2 – Art/Brush Finish

Version 2 changes: A little extra low end voicing with a little more saturation to all three positions.

It offers variations of gain from light to medium overdrive, with position two going from overdrive to a nice thick saturated fuzz tone. Producing rich harmonics and everything from throaty overdrive to fuzz-like saturation is only part of what it can do.

This pedal offers warm, creamy, clear notes with a natural full-range tone in all three positions, while still maintaining that tube-amp sound capable of navigating all genres of recorded guitar tones—from the ’60s to the present day. It can also help tighten a distorted amp’s sag, making higher gain more manageable while maintaining low noise to gain levels.

All knobs are “very” active, small adjustments will affect your tone. The bass and treble controls go well beyond standard function, they do far more than their label.

In short, the simplest way to describe the Triptych V2 sound would be 40% RAT, 40% Bluesbreaker & 20% Dumble in one pedal, with position 2 able to get close to a Tone Bender at max.

(Pos-1) Boost, mild overdrive that goes half way to medium, will do a “little” modern too thick vintage tone that can also get compressed, depending on the settings – bass knob.
(Pos-2) Boost, overdrive, as the Saturation & Bass knobs are turned clockwise the fuzz edge increases, maxed will get close to the Tone Bender MKII pro tone.
(Pos-3) Boost to thick OD that now goes to almost medium gain and can still get a little fuzz like.
Position 3, one of the strong points of this pedal is stacking, when placed (1^st) in line.

This is “not” a jack of all trades, master of none pedal, each position has an array of great tone!

Note: “If” you do not like fuzz -Pos-2, run it at 18v, it then becomes a few variations of overdrive depending on the switch position.

See below for more information.